Format ordinals as superscripts

5 files changed, 9 insertions, 9 deletions

diff --git a/en/david.membre.in b/en/david.membre.in
index 89a3e05..398eec3 100644
--- a/en/david.membre.in
+++ b/en/david.membre.in
@@ -8,7 +8,7 @@ A period of history that you would have liked to experience? The 60s, to be able
 
 Your favorite leaf? Maple, preferably with pancakes!
 
-Your choice of instrument? When I was 6 years old, I saw the documentary *The Art of the Violin* which introduced me to the great violinists of the 20th century; that's when I started to adore this instrument.
+Your choice of instrument? When I was 6 years old, I saw the documentary *The Art of the Violin* which introduced me to the great violinists of the 20^th^ century; that's when I started to adore this instrument.
 
 An artist who touches you? Violinist Christian Ferras for the generosity of the sound and the intensity of the vibrato.
 
@@ -16,7 +16,7 @@ A vivid memory? My first trip to the United States when I discovered drive-in ci
 
 Your house at Hogwarts? Hufflepuff, this is the result of the official test!
 
-A work that moves you? Even after listening to it dozens of times, I am still so overwhelmed by Beethoven's *15th quartet*.
+A work that moves you? Even after listening to it dozens of times, I am still so overwhelmed by Beethoven's *15^th^ quartet*.
 
 A film that has marked you? *M* by Fritz Lang.
 
diff --git a/en/enguerrand.membre.in b/en/enguerrand.membre.in
index 4de0ada..33811c9 100644
--- a/en/enguerrand.membre.in
+++ b/en/enguerrand.membre.in
@@ -6,7 +6,7 @@ What is your professional background? I was born in a family of musicians. My mo
 
 Your house at Hogwarts? Ravenclaw (the only truly respectable house).
 
-A work that moves you? Mahler's 2nd, *The Resurrection Symphony*, and its final chorus.
+A work that moves you? Mahler's 2^nd^, *The Resurrection Symphony*, and its final chorus.
 
 Your favorite book? Geluck's *Le Chat*, for his humor in hardened steel.
 
diff --git a/en/hervé.membre.in b/en/hervé.membre.in
index d8a6a12..607447f 100644
--- a/en/hervé.membre.in
+++ b/en/hervé.membre.in
@@ -2,7 +2,7 @@ Hervé Blandinières
 viola
 #068e18
 #1368a1
-What is your professional background? When I was little, I used to fall asleep lulled by a recording of Brahms' *3rd symphony* and its variations on a theme by Haydn. It probably impacted my life more than I could have imagined at the time. For many years however, music remained a simple hobby, like other manual activities (DIY, painting, sculpture, …), which made me hesitate for a long time when I had to choose a career. I finally decided to follow the musical path that I had been tracing since I was seven years old, and I entered the music schools of Gennevilliers, Boulogne-Billancourt, then the CNSMDP. After a quick stint at the Academy of the Opéra de Paris, I am now the happy violist of the Bellefeuille quartet, and a member of the Orchestre de Paris.
+What is your professional background? When I was little, I used to fall asleep lulled by a recording of Brahms' *3^rd^ symphony* and its variations on a theme by Haydn. It probably impacted my life more than I could have imagined at the time. For many years however, music remained a simple hobby, like other manual activities (DIY, painting, sculpture, …), which made me hesitate for a long time when I had to choose a career. I finally decided to follow the musical path that I had been tracing since I was seven years old, and I entered the music schools of Gennevilliers, Boulogne-Billancourt, then the CNSMDP. After a quick stint at the Academy of the Opéra de Paris, I am now the happy violist of the Bellefeuille quartet, and a member of the Orchestre de Paris.
 
 Your favorite leaf? The fig tree's.
 
diff --git a/en/programs.in b/en/programs.in
index 9aec777..1f75be5 100644
--- a/en/programs.in
+++ b/en/programs.in
@@ -69,12 +69,12 @@ MORCEAUX :
 - intermission
 - Brahms — quartet Op. 51, No. 2 (1873)
 
-NOM : 18th century
+NOM : 18^th^ century
 COMPOSITEURS : Haydn, Mozart, Beethoven
 DESCRIPTION :
 1:40 with intermission
 
-This program offers you three quartets by the geniuses of the 18th century, composed over a fifteen-year period.
+This program offers you three quartets by the geniuses of the 18^th^ century, composed over a fifteen-year period.
 
 It gathers the three leading composers of this transitional period: the Master Haydn and his two illustrious pupils, Mozart and Beethoven. It allows us to (re)discover the quintessence of the classical style and the beginning of romanticism that appears with Beethoven.  
 We find here a Haydn full of wit - sharp, gentle, meditative and then explosive. A cheerful, elegant and mischievous Mozart who also knows how to be deeper and contemplative. Lastly, Beethoven, already fully dramatic, playing with contrasts and surprise in great rhythmic rigor.
@@ -91,7 +91,7 @@ DESCRIPTION :
 
 This concert brings together two virtuoso quartets that have marked the history of music. Today they are considered masterpieces of the repertoire.
 
-Beethoven played a major role in the development of the string quartet. Through his sixteen quartets composed over nearly thirty years, he pushed the boundaries of the genre, sharing his deepest feelings. During its creation, the 7th quartet encountered the incomprehension of both the public and the performers. To the violinist Radicati, who told him it wasn't music, Beethoven replied: “It's not for you! It's for times yet to come.”  
+Beethoven played a major role in the development of the string quartet. Through his sixteen quartets composed over nearly thirty years, he pushed the boundaries of the genre, sharing his deepest feelings. During its creation, the 7^th^ quartet encountered the incomprehension of both the public and the performers. To the violinist Radicati, who told him it wasn't music, Beethoven replied: “It's not for you! It's for times yet to come.”  
 Advancing from a different perspective, Bartok sought to innovate in form while anchoring his work in the popular tradition of his country. He undertook an innovative approach which led him to collect folklore themes from local populations. His cycle of six string quartets, also composed over the space of thirty years, is the completion of the quest for this new musical language, inspired by popular music with the richness of construction specific to Western written music.
 MORCEAUX :
 - Beethoven — quartet No. 7, Op. 59, No. 1, “Razumovsky” (1806)
diff --git a/en/sophie.membre.in b/en/sophie.membre.in
index e344bba..eb5227a 100644
--- a/en/sophie.membre.in
+++ b/en/sophie.membre.in
@@ -8,7 +8,7 @@ Your house at Hogwarts? Hufflepuff! "You might belong in Hufflepuff, / Where the
 
 A composer who moves you? Two! Beethoven and Ravel.
 
-A work that moves you? Beethoven's *14th quartet*.
+A work that moves you? Beethoven's *14^th^ quartet*.
 
 Your hobbies? I like reading, watching movies, cooking and enjoying long talks by the fire… with or without fire.
 
@@ -16,7 +16,7 @@ A film that speaks to you? *Le goût des merveilles* by Eric Besnard.
 
 Your favorite leaf? The Ginkgo Biloba's.
 
-A vivid memory? A concert by the Tetzlaff quartet at the Philharmonie de Paris performing Shostakovich's *11th quartet*. Hypnotizing!
+A vivid memory? A concert by the Tetzlaff quartet at the Philharmonie de Paris performing Shostakovich's *11^th^ quartet*. Hypnotizing!
 
 Your preferred city? Barcelona for the fantastic universe of Gaudí.