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authorKévin Le Gouguec <kevin.legouguec@gmail.com>2021-03-14 22:31:31 +0100
committerKévin Le Gouguec <kevin.legouguec@gmail.com>2021-03-14 22:37:55 +0100
commit19c6164110e3bd643370637c000921d6b86d328f (patch)
tree9c2517f02c6e3583e88a2a31163ee5e05c5077b3 /en
parente156454417b590e80543740edb36ccbbdbb84d41 (diff)
downloadquatuorbellefeuille.com-19c6164110e3bd643370637c000921d6b86d328f.tar.xz
Reword a couple of things
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@@ -26,14 +26,14 @@ MORCEAUX :
- intermission
- Quartet n°7, op.59 n°1, “Razumovsky” (1806)
-NOM : Acoustic universes
+NOM : Sound universes
COMPOSITEURS : Brahms, Chostakovitch, Ravel
DESCRIPTION :
1:40 with intermission
We invite you to discover three works all of textured games which explore the rich sonority of the string quartet and take us on a journey into their composers' universes.
-Brahms' universe: tender then sensitive, generous and finally fiery. Shostakovich's: mysterious, then intense until shock and obsession before resignation in the face of mourning. Finally Ravel's: dreamy then whimsical and luminous which becomes melancholic before an explosive final.
+Brahms' universe: tender then sensitive, generous and finally fiery. Shostakovich's: mysterious, then intense until shock and obsession before resignation in the face of mourning. Finally Ravel's: dreamy then whimsical and luminous which becomes melancholic before an explosive finale.
MORCEAUX :
- Brahms — quartet op.51 n°2 (1873)
- Chostakovitch — quartet n°11 (1966)